Writing Residency

About

Anaphora Writing Residency is a ten-day program designed exclusively for writers of color. The residency offers workshops, readings, craft talks, and discussions with professionals from the literary and publishing industry. The goal of the program is to nurture emerging and established writers of color, to create opportunities for publication, and establish a wide network of support for writers of different backgrounds.

Dates & Fees

The upcoming residency will run on August 11 - 20, 2022, and will be held virtually. The program costs $2,400, and several partial fellowships are available every year, depending on funding availability. Applications must be submitted by the priority deadline to be eligible for fellowships. Our Founding Fellows and returning alumnx, will have the opportunity to attend the program at a discounted rate.

Applications are now open! Please note: the priority deadline has been extended until May 8th, with the final deadline on May 15th. Applications are reviewed by an anonymous admission board of peers, which rotates every year. Notifications will be sent out starting May 20th (including notifications of fellowships). A non-refundable security deposit of $150 is required within two weeks of notification; program fees must be paid entirely prior to the beginning of the residency.

If you have any questions, please check out the residency’s FAQ page, or contact us.

What to Expect

The program will provide workshops in poetry and prose, craft talks, daily readings (by guests and program participants), masterclasses, generative sessions, and discussions with professionals from the industry, including literary agents, editors, and publishers.

 

Speakers

Chris Abani

Chris Abani’s books of fiction include The Secret History of Las Vegas, Song For Night, The Virgin of Flames, Becoming Abigail, Graceland, and Masters of the Board. His poetry collections are Smoking the Bible, Sanctificum, There Are No Names for Red, Feed Me The Sun: Collected Long Poems, Hands Washing Water, Dog Woman, Daphne’s Lot, and Kalakuta Republic. He is the recipient of a Guggenheim Fellowship, the PEN/Hemingway Award, the PEN Beyond the Margins Award, the Hurston Wright Award, and a Lannan Literary Fellowship, among many honors. His work has been translated into French, Italian, Spanish, German, Swedish, Romanian, Hebrew, Macedonian, Ukrainian, Portuguese, Dutch, Bosnian, and Serbian.

 

Marcelo Hernandez Castillo

Marcelo Hernandez Castillo is a poet, essayist, translator, and immigration advocate. He is the author of the collection Cenzontle (2018), which won the 2017 A. Poulin Jr. prize, and the chapbook Dulce (2018). His memoir, Children of the Land (2020), is his most recent publication. His work has appeared or been featured in The New York Times, PBS Newshour, People Magazine en Español, The Paris Review, Fusion TV, Buzzfeed, Gulf Coast: A Journal of Literature and Fine Arts, New England Review, and Indiana Review, among others. He currently teaches in the Low-Res MFA program at Ashland University.

 

Cornelius Eady

Cornelius Eady is the author of several books of poetry, including the critically acclaimed Hardheaded Weather, which was nominated for an NAACP Image Award, Victims of the Latest Dance Craze, winner of the 1985 Lamont Prize from the Academy of American Poets, The Gathering of My Name, which was nominated for the 1992 Pulitzer Prize, and his most recent collection The War Against the Obvious. With poet Toi Derricote, Eady is cofounder of Cave Canem, a national organization for African American poetry and poets. He is the recipient of an NEA Fellowship in Literature, a John Simon Guggenheim Fellowship in Poetry, a Rockefeller Foundation Fellowship to Bellagio, Italy, and The Prairie Schooner Strousse Award.

 

Airea D. Matthews

Airea D. Matthews’ first collection of poems is the critically acclaimed Simulacra, which received the prestigious 2016 Yale Series of Younger Poets Award. The collection explores the topics of longing and desire with power, insight, and intense emotion. Matthews received a 2020 Pew Fellowship, a 2016 Rona Jaffe Foundation Writers’ Award, and was awarded the Louis Untermeyer Scholarship in Poetry from the 2016 Bread Loaf Writers’ Conference. Matthews earned her MFA from the Helen Zell Writers’ Program at the University of Michigan. In 2022, she was named Philadelphia’s Poet Laureate. She is an assistant professor at Bryn Mawr College where she directs the poetry program.

 

Phillip B. Williams

Phillip B. Williams is the author of Mutiny and Thief in the Interior, which was the winner of the 2017 Kate Tufts Discovery Award and a 2017 Lambda Literary award. He is also the author of the chapbooks Bruised Gospels and Burn. Williams’s work has appeared or is forthcoming in Boston Review, Callaloo, Kenyon Review, The New Republic, The New Yorker, and others. He is the recipient of a 2020 creative writing grant from the National Endowment for the Arts, a 2017 Whiting Award, and a 2013 Ruth Lilly Fellowship. He serves as a faculty member at Bennington College and Randolph College low-res MFA.

 

Amy Elizabeth Bishop

Amy Elizabeth Bishop joined Dystel, Goderich & Bourret in 2015, after completing an internship with them in 2014. Before diving into the world of publishing, she graduated from SUNY Geneseo with a degree in Creative Writing. She had a brief stint as the subsidiary/financials assistant, then transitioned into assisting Jane Dystel and serving as the office manager. Amy currently oversees digital projects and social media for the agency, in addition to cultivating her own list. She grew up in upstate New York and has now made the traitorous switch to downstate living. She is interested in upmarket/literary fiction, bookclub fiction, literary suspense. In terms of nonfiction, she’s interested in history (with a special place for untold or overlooked stories about women or people of color), science, current affairs, cultural criticism, investigative deep dives, and prescriptive work for a millennial audience. Across the board, she is looking for work from BIPOC authors.

 

Jenny Xu

Jenny Xu (she/her) joined Harper Books and Ecco in 2021. She edits and acquires poetry for Ecco and nonfiction for Harper, with a particular focus on marginalized and underrepresented voices. Recent and upcoming projects include The World Keeps Ending, and the World Goes On by Franny Choi, Rise by Jeff Yang, Phil Yu and Philip Wang, and The High Desert by James Spooner. She is on the board of MassLEAP, and mentors through Representation Matters and POC in Publishing.

 

Residency Archive

  • Residency 2018

    We are thrilled to welcome the Founding Fellows for the Writing Residency in Los Angeles, CA. The program will be held at Otis College. Guest speakers include Chris Abani, Kwame Dawes, Lilliam Rivera Natalie Diaz, Neelanjana Banerjee, Robinnne Lee, Roda Ahmed, Roxane Gay, Tananarive Due, with literary agents Anjali Singh (Ayesha Pande Literary) and Kirby Kim (Janklow & Nesbit Associates). Participating presses include Les Figures Press, Unnamed Press, and Writ Large Press.

  • Residency 2020

    Our signature Writing Residency is back! We will hold a 10-day in person program in Los Angeles, CA. Guest speakers include Chris Abani, Kwame Dawes, Natashia Deón, Ladan Osman, Matthew Shenoda, Mahtem Shiferraw, with literary agent Anna Ghosh (Ghosh Literary).

  • Residency 2021

    The Anaphora Writing Residency was re-launched virtually. Guests included Kwame Dawes, Natashia Deón, Ladan Osman, Sasha Pimentel, and Matthew Shenoda, with editor Anni Liu (Graywolf), and literary agent Annie Hwang (Ayesha Pande Literary).